The next morning Ted arrives and Tim tries to explain him that Tina is a Boss Baby and Ted just does not remember that he was one, too. However, Tina leaves a false voicemail for Ted, luring him to the Templeton's house. Tim refuses to call, saying that he will never come, and encourages Tina to go back to sleep. He discovers that Tina is a Boss Baby, just as Ted once was, and that she has been assigned to get Ted there for a special mission.

Tabitha is exhibiting more grown-up behavior, and one night while a discouraged Tim wonders about the person his daughter is becoming, he hears something from Tina's room. Tim's younger brother Ted is now a successful CEO and is never around, instead sending lavish gifts to Tim and his family. Those nostalgic underpinnings are also nicely incorporated into the appropriately bubbly score by Hans Zimmer and frequent collaborator Steve Mazzaro.Set 40 years after the events of the first film, Tim Templeton is now fully grown and lives with his wife Carol and their two daughters, 7 years old Tabitha and infant Tina. Visually, there’s a retro look and feel to the animation that plays affectionate homage to Looney Tunes legends Chuck Jones, Tex Avery and Friz Freleng, while simultaneously drawing upon new wrinkles in computer animation that allow the action to follow the lead of Tim’s vivid fantasy life. They include Steve Buscemi as a former Babycorp exec harboring a serious grudge Tobey Maguire, handling narration as Tim’s older self and James McGrath (the director’s nephew) as Wizzie, Tim’s amusingly theatrical, Gandalf-like, talking wizard alarm clock. While Baldwin, who seems to have cornered the market when it comes to playing conceited man-babies, handily crawls away with the picture (it’s hard to imagine anyone else in the role), he gets solid backup from his fellow voice cast. Even the obligatory bodily function jokes are tastefully executed. Annecy: DreamWorks Animation Screens First Footage of 'Boss Baby'Īnd it’s one that delivers the entertaining goods while addressing universal truths about family bonds and the fertile, limitless boundaries of a child’s imagination that, like those emotional touchstones in the Toy Story films, feel honest and organic to the storytelling.

Boss baby movie